Understanding the New York Mayor's Style Statement: What His Suit Tells Us Regarding Contemporary Masculinity and a Shifting Culture.
Growing up in the British capital during the noughties, I was constantly immersed in a world of suits. You saw them on businessmen hurrying through the Square Mile. You could spot them on dads in the city's great park, playing with footballs in the evening light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has served as a uniform of gravitas, signaling authority and professionalism—traits I was told to aspire to to become a "adult". Yet, until lately, people my age seemed to wear them less and less, and they had all but disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony dressed in a sober black overcoat, crisp white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captivated the public's imagination like no other recent mayoral candidate. Yet whether he was celebrating in a music venue or appearing at a film premiere, one thing was largely constant: he was almost always in a suit. Relaxed in fit, contemporary with soft shoulders, yet traditional, his is a typically middle-class millennial suit—well, as common as it can be for a cohort that rarely chooses to wear one.
"The suit is in this strange place," says men's fashion writer Derek Guy. "It's been dying a gradual fade since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal settings: weddings, funerals, and sometimes, court appearances," Guy states. "It is like the kimono in Japan," in that it "essentially represents a custom that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can have faith in me. You should vote for me. I have authority.'" Although the suit has historically conveyed this, today it performs authority in the hope of winning public confidence. As Guy elaborates: "Since we're also living in a democratic society, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of drag, in that it performs masculinity, authority and even proximity to power.
This analysis resonated deeply. On the rare occasions I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo retailer a few years ago. When I first picked it up, it made me feel refined and expensive, but its slim cut now feels passé. I suspect this feeling will be only too familiar for many of us in the diaspora whose parents come from somewhere else, particularly developing countries.
It's no surprise, the working man's suit has lost fashion. Similar to a pair of jeans, a suit's shape goes through cycles; a specific cut can therefore define an era—and feel quickly outdated. Take now: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a considerable investment for something destined to fall out of fashion within five years. Yet the appeal, at least in some quarters, persists: recently, department stores report tailoring sales rising more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something exceptional."
The Symbolism of a Accessible Suit
The mayor's go-to suit is from Suitsupply, a European label that retails in a moderate price bracket. "Mamdani is very much a reflection of his background," says Guy. "A relatively young person, he's neither poor nor extremely wealthy." Therefore, his moderately-priced suit will appeal to the demographic most inclined to support him: people in their thirties and forties, university-educated earning professional incomes, often discontented by the cost of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly align with his proposed policies—such as a rent freeze, building affordable homes, and fare-free public buses.
"It's impossible to imagine Donald Trump wearing this brand; he's a Brioni person," says Guy. "As an immensely wealthy and was raised in that New York real-estate world. A status symbol fits seamlessly with that elite, just as more accessible brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is extensive and rich: from a former president's "shocking" beige attire to other world leaders and their suspiciously impeccable, custom-fit sheen. Like a certain UK leader learned, the suit doesn't just clothe the politician; it has the power to characterize them.
The Act of Normality and Protective Armor
Maybe the point is what one academic refers to the "enactment of banality", summoning the suit's long career as a standard attire of political power. Mamdani's particular choice taps into a deliberate understatement, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. However, experts think Mamdani would be aware of the suit's military and colonial legacy: "This attire isn't neutral; scholars have long noted that its contemporary origins lie in military or colonial administration." Some also view it as a form of defensive shield: "I think if you're from a minority background, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, perhaps especially to those who might doubt it.
Such sartorial "changing styles" is hardly a recent phenomenon. Even iconic figures previously wore formal Western attire during their early years. Currently, other world leaders have started exchanging their usual military wear for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between insider and outsider is apparent."
The attire Mamdani chooses is highly significant. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under pressure to conform to what many American voters expect as a sign of leadership," notes one author, while simultaneously needing to navigate carefully by "not looking like an elitist selling out his non-mainstream roots and values."
Yet there is an sharp awareness of the double standards applied to suit-wearers and what is interpreted from it. "This could stem in part from Mamdani being a millennial, skilled to assume different identities to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, traditions and clothing styles is common," it is said. "Some individuals can go unnoticed," but when others "attempt to gain the authority that suits represent," they must meticulously navigate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between somewhere and nowhere, inclusion and exclusion, is visible. I know well the awkwardness of trying to conform to something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, image is not neutral.